The result might be downright ugly by some standards, but it adequately announces the location and day of the event. The words might be handwritten with a fat marker on drawing paper, or constructed from _ _ stuck to cardboard. Take, for instance, the temporary placards that people make to announce garage sales. Typography might not be beautiful in a popular _ sense, but if it gets an idea across, it works. Even so, regardless of any other creative skills, if a targeted reader is able to understand the words, then the typography will have accomplished its most fundamental job. The more practiced the _, or the more familiar a reader is with the elements and arrangement, the more complete and natural the work appears. Already we see typography playing its basic roles: to give form to recognizable marks-what we call an alphabet and to gather them into ordered words that ultimately compel a reader to begin deciphering. The typography here represents a slew of assumptions and prescriptions shared by the writer (me), the designer (me again) and the reader (you), all of which help translate the elements into _. This landscape, however, quite contrived, pointing indirectly to several interconnected social and physical systems. It may appear that all the visual _ here-from the smallest comma to the equal _- have sprouted as naturally as leaves to limb. Subsequent smaller-sized texts composed of individual marks called _ collect into what we know to be paragraphs, contained within margins.
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As we approach the particular scene of this page, large-scaled elements command attention first, Typography lands on our eyes complete, an amalgam of details subsumed by the whole like a settled landscape stretched out before us. For example, bolded Garamond in 12 point was considered a different font than normal Garamond in 8 point, and italicized Times New Roman at 24 point would be considered a different font than italicized Times New Roman at 28 point. A font described a subset of blocks in that very typeface-but each font embodied a particular size and weight. Garamond would be the typeface: It described all of the thousands of metal blocks a printer might have on hand and which had been designed with the same basic design principles. In short, a typeface usually gathers many fonts.
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Typeface is a particular design of type, while a font is a type in a particular size and weight.
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The look of a typeface is defined partially by the particular qualities of its strokes counters, and proportions (x-height to-cap-height and width-to-height relationships). _ All letters, numerals, punctuation, and special characters that share specific visual characteristics.